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The Italy of Prova d’orchestraĬhapter 7.The Italian film director Federico Fellini (1920-1993) began as an exponent of poetic neorealism and later became the cinema's undisputed master of psychological expressionism and surrealist fantasy.įederico Fellini was born of middle-class family on the rocky Adriatic coast of Rimini. Fellini, Mussolini and the complex of RomeĬhapter 6. La dolce vita, our contemporaryĬhapter 4. PER018000 PERFORMING ARTS/Individual DirectorĪPFB Individual film directors, film-makersĬhapter 1. PER004030 PERFORMING ARTS/Film & Video/History & Criticism Subject: Film and Television Studies Area: Southern Europe Subject Codes Mastorna: The Film Fellini Didn’t Make (Berghahn Books, 2013) and the translator of Orson Welles in Italy by Alberto Anile (Indiana University Press, 2013). Marcus Perryman is the co-editor and co-translator of The Selected Poetry and Prose of Vittorio Sereni (University of Chicago Press, 2006), the author and translator of The Journey of G. Cinema, memoria, spazio pubblico (Bulzoni Editore, 2010). He is the author of La Shoah e la cultura visuale. By conceiving Fellini’s cinema as an individual expression of the nation’s “mythical biography,” the director’s most celebrated themes and images - a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnival - become symbols of Italy’s traumatic modernity and perpetual adolescence.Īndrea Minuz is Assistant Professor of Film & Media Studies in the Department of Art History and Perfor ming Arts, University of Rome “La Sapienza”. This book challenges that myth by examining the filmmaker’s reception in Italy, and by exploring his films in the context of significant political debates. It is a must read for everyone who is interested in cinema.” įederico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. It is the first full-length biography and study of Fedrerico Fellini as a great Italian filmmaker. Both students and experts of cinema will hugely benefit from Political Fellini.
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He gives deep insight into Italian cinema and political culture.
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“Political Fellini is a well-researched and -referenced study of Fedrerico Fellini, Italian cinema, and culture. Smoothly translated by Perryman, Political Fellini is a truly valuable book, one that delves deep into Fellini as a critic of politics on a larger scale and society as a whole… Highly recommended.”
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“As a scholar deeply immersed in Italian culture, Minuz knows the material inside and out, and his fresh interpretations of Fellini’s films reference both the political and artistic climate in which they were created. Recommend to your Library Available in GOBI® Reviews If you are a professor requesting an examination copy.If you are a periodical or other publication reviewing our content.Buy the eBook from these vendors Request a Review or Examination Copy (in Digital Format)